A biannual English-language publication dedicated to the art, craft and industry of international creative photography — distributed in over 30 countries.
Photography is not a mirror. It is a decision — about light, time, framing, meaning. IMAGE IN PROGRESS was founded in 2010 to document that decision in all its complexity: the creative choices, the technical mastery, and the human stories that exist just beyond the edge of every frame.
In a media landscape that rewards speed over depth, IMAGE IN PROGRESS takes the opposite position. Each biannual issue is a considered object — printed and distributed across Europe, the Americas and Asia — built around voices that rarely make it to the front page: the set designer who transforms a location into a dream, the photo editor who decides which image defines a generation, the postproducer who renders invisible what the eye alone could not see.
Exclusive interviews with major international names sit alongside intimate profiles of the professionals who work behind the scenes — location scouts, art directors, stylists, hair and make-up artists, models, publishers, gallery owners. These are figures who shape the visual culture we inhabit daily yet seldom receive credit beyond a line of small print. In IMAGE IN PROGRESS they speak at length, in their own words, sharing technical choices, creative convictions, and the tricks of a trade that is at once industrial and deeply personal.
Special attention is paid to extraordinary locations and to the intersection of photography with architecture, interior design and material culture — not as backdrop, but as co-author. Every issue proposes spaces and environments as active agents in the image-making process, with a specific focus on sites suited for editorial and avant-garde commercial productions.
For its readers — photographers, creative directors, collectors, publishers, educators and image professionals of every kind — IMAGE IN PROGRESS is at once a training ground for the eye, a practical resource and a long-form meditation on what photography means when it is taken seriously.
The readership is by design a focused one. Photographers, collectors, publishers, gallery and auction house professionals, location scouts, set designers, art directors, photo editors, stylists, make-up artists, hair stylists, models and postproducers — professionals who rarely receive recognition beyond credits, but who collectively make up the true engine of the image industry. The magazine reaches them directly and speaks to them as peers.